Let’s talk about the terrible.
Upon meeting someone, one of my go-to questions is, “What’s your favorite movie?” If my potential new friend doesn’t freeze, overwhelmed with the more than 500,000 choices in existence, based on their answer, I can get a pretty good feel for who they are.
The person who picks Gone with the Wind differs greatly from the one selecting Zombie Strippers. Does this mean one becomes my bestie while I kick the other to the curb? Certainly not! Might I have to work a bit harder to connect with one compared to the other? Most definitely, but I won’t hold their choice of Gone with the Wind against them. Sure, Scarlett is a terribly selfish person, and the movie drags on forever with a rare reprieve of her throwing up after eating radishes, and you’re like, “Yeah, doofus, you deserve that!” But I won’t split hairs.
Gone with the Wind is considered a cinematic classic, but I want the time back I spent watching it. My wife loves Castaway, but beyond the use of the line, “I have made fire,” it mostly gets a meh from me. I’ve never seen the Godfather series or Heat, but I love This is Spinal Tap and Stranger than Fiction. Casablanca and Singin’ in the Rain are incredible, and I adore It Happened One Night and One Flew Over the Cuckoo’s Nest.
Art speaks to people, and discovering which specific piece speaks to someone reveals much about that person. Paintings aren’t widely distributed, and music is so accessible, when someone shares a favorite musician, my typical response is, “Who?”
That’s why movies are so great. Yeah, the market’s saturated with them, but because of their length and distribution, it limits our choices, which means we as a culture have a common vocabulary. Most everyone has Amazon Prime or Netflix, and even after traveling across the country, I found people looking forward to the latest release in the Fast and Furious series just like others back home.
For the most part, critics and audiences agree on which movies are worth seeing, and over time, certain movies will ascend the ladder of opinion to become considered classics. Therefore, if culture decides which movies are good, what about terrible movies? I’m not talking about cinematic masterpieces I just don’t understand. I’m talking about the ones critics rake over the coals or that bomb at the box office but are still loved years later — cult classics.
All over the country, fans dress up and fill theaters to see The Rocky Horror Picture Show and The Room year after year, reveling in all the aspects one would normally cite for making them bad movies, whether it be poor acting, terrible dialogue, low production value, etc.
Watching them, one’s brain struggles to comprehend how something so awful in so many ways actually exists. They’re so bad, these trash movies take on a mythic quality, because surviving suffering appeals to us. Eating spicy food or sucking sour candy is an unpleasant experience, yet we breed spicier peppers and up the levels of sourness because people can’t help themselves. These car accidents of cinema fascinate us with their mangled scripts, and we wonder if the careers of those involved made it out alive, but we drive away with a sense of relief knowing we weren’t involved.
You know how in the Producers, Bialystock and Bloom set out to put on the worst play ever, a guaranteed flop, so they can raise too much money for it and when it fails, profit? To that end, they do everything they can to ensure the awfulness of their endeavor, but it all backfires when instead of them creating a tragedy, audiences perceive it as a comedy, loving it. That audience’s reaction is the phenomena I’m talking about with these films. Not many set out to make terrible movies, Johnny Depp notwithstanding; however, terrible movies keep showing up in theaters. Did you see the Emoji Movie? Neither did I.
Terrible movies abound so much so that Mystery Science Theater 3000 and RiffTrax, experiences where the audience watches a terrible movie but laughs all the way through because of the comedic commentary dubbed over the film’s soundtrack, are popular enough to provide their creators a good living. Sharknado (You know the movie where sharks get carried by a tornado up onto land so no one is safe?) has produced four sequels. Four! People can’t get enough, and neither can I.
Just in the past couple weeks, I’ve seen Valerian and the City of a Thousand Planets and The Dark Tower in theaters with friends knowing reviews weren’t good. In both cases, the critics were correct, but I enjoyed these movies flaws and all. John Carter ranks up there as one of my favorite bad movies, and I don’t even know why I love it.
My all time favorite terrible movie, though, is Flash Gordon. Yeah, the one with a ridiculous plot, terrible acting, weird choices in costuming and set decoration, bird men, Timothy Dalton, and an ending still left unresolved nearly 40 years later all set to a soundtrack provided by Queen.
Network execs showed that movie on broadcast television throughout my childhood often enough I fell in love with it. Some random Saturday afternoon, my father or I would be flipping through our five channels, there it would be, and there our flipping would stop. I love it even though I never saw the beginning until getting the movie on Blu-Ray a few years back.
Dare I say it? Along with reruns of the original Star Trek and multiple viewings of the Star Wars movies, Flash Gordon helped form my entertainment palate, God help me; I’m a sucker for sci-fi.
There you have it. All this to confess I love a terrible film. Yes, I lost count of how many times I’ve seen Flash Gordon. Yes, I’ll probably watch it again soon. How could I not?
I’ll even bet there’s a terrible movie out there you love. You know, the one you’ve been thinking about as you’ve read this.
Do me a favor and watch it again.
Revel in it like you do when a stench assails your nostrils, almost causing you to retch, but then you take a second whiff to give yourself a bit of a thrill.
Better yet, watch that terrible movie with someone you love who has yet to see it. Show them who you are, scars and all.
“Hi, I’m Jake. I love Flash Gordon. What’s you favorite terrible movie?”